More often than not we find scientific ‘proof’ that ancient wisdom passed on through generations that was considered ignorant hokey-pokey non-sense turns out to be true. How did they know?
This painting I created is my artistic interpretation of the manifest and un-manifest world. The colors symbolize the manifest world; and the shades of tan, white, black and grey are what is on the other side. The colors also are the Chakras.
As humans we know very little that can be scientifically proven regarding the spiritual world or how conscious life pops in and out of existence. The energetic body is something that some types of scientists dabble in, but again there is no ‘proof’.
Eastern philosophies and their ancient texts explain that as there is a visible physical body, there is also an accompanying invisible energetic body. It’s just as complicated and intricate. It has systems, nodes, and channels as our physical bodies do. Energy can get blocked just as an artery can. Emotions are energetic. They get stuck and if not released can go deeper and deeper into our being and/or eventually manifest through physical pain.
Mental health professional do this type of work and explorations. Yoga is all about the energetic body and helping energy flow more easily through the practice of physical postures (asana). Hence, my interest in the topic. Additionally my interest in art and color peaks my curiosity into how color is combined in various ways.
The chakras are something that has always fascinated me, long before I understood, practiced or taught yoga. The first time I heard about them, they just made sense to me. Like my cells deep down inside knew it to be true even though my mind was kind of laughing at the idea.
For anyone who doesn’t know about the chakras (I was well into the my 30’s believe it or not before I ever heard of them!), they are 7 of the main energetic centers of our bodies that energy flows through. They start at the base of the spine in the tailbone area and work their way up the body through the crown of the head through the center part of the body.
Later while completing a 500 hour yoga teacher certification course I would learn about the rest of the energetic system, but the chakras are the most well known and are depicted through so many texts and pictures throughout history.
The chakras have colors. There are 7 and they coincide with the colors of the rainbow. Their flow is vertical (unlike my art piece). Like the koshas (yogic) and other more managerial concepts I’ve learned about in my life through my business education, they remind me very much of Maslow’s Hierarchy of Needs. It also reminds me of evolution in that it starts out very basic and physical, but then moves toward a path of higher consciousness and enlightenment toward self-actualization and understanding why we are here. We can’t get there until the lower needs are met. In the chakra system, if anything is blocked on the lower end; the energy is unable to flow up higher.
These two pictures I swiped from Google Images are a visual depiction of what I’m describing. Maslow’s famous triangle in this photo is actually colored similarly to the chakras.
I’ve studied and read a lot of spiritual and religious texts. I don’t have a strong belief in any one thing, but I have an idea of how my own personal belief system/understanding of the physical and non-physical worlds are: the tangible and intangible. The part where we are alive and moving about this planet, and the part of the cycle that is blocked to us. The part where we wonder what happens to our consciousness or spirit when our physical body dies. What is our spirit before we are born? Is the spirit even real?
My artistic expression of the spiritual life cycle is depicted here. Like the Yin-Yang, half of the time our spirit is in the manifest world and the other half in the unmanifest world.
The colored lines are the manifest world, the world where white light bends and we can see color.
The non-rainbow colors represent the un-manifest world. When all colors are combined and mixed together, they create the ‘color’ (if you can call it that) brown. When you add white to brown it becomes tan. Adding black darkens it up. White is all there is, with everything included in it (white light contains all the colors in the spectrum), and black being the absence of it all – together they create gray. At dusk when we are in between day and night, color is shaded over. It doesn’t exist to the eye. Only form.
Our physical life is surrounding by this unknown. Before birth and after death there is the unknown. Lack of light (life) is as far away from us as possible. Or is it? Does it bend and show color in the absence of material things? Possibly it contains all the colors blended together (browns), and on the side closer to death and darkness that brown is darker, while on the side closer to birth and brightness it’s a shade of tan.
White and black together make a perfect in between shade of gray. Gray even has shades- darker and depending on the mixture of black and white: still a total absence of color. Science already has determined that in the absence of anything material, refraction of white light is also absent.
At least to our senses that is. Perhaps if we had another sense we’d see a whole other world on the other side….
The chakras here in this painting are the physical living world we experience. They move from a lower vibration to a higher one. Less conscious to more conscious. More connected to the earth and physical things to less. Much like Maslow’s triangle.
Sanskrit name: Muladhara
Known as: Root chakra
Location: Base of the spine in the tailbone area
Symbolizes: safety, survival, grounding, nourishment from the Earth energy (food, other humans, clothing, etc)
My interpretation: it is our root. It’s located in a place where we sit and literally connect to the earth beneath us. Also in a place where we connect with other humans through copulation.
To me it symbolizes the earlist part of life when we are completely at the mercy of others. We build a foundation from the original safety and survival as babies. Our perception of the world is shaped from there. We come into life here. We could be stuck here our whole lives. If we are, unless it’s purely lack of money for food/shelter/clothing – it’s an energetic or emotional “stuckness”.
Sanskrit name: Swadhisthana
Known as: Emotional chakra
Location: Lower abdomen, about 2 inches below naval and 2 inches in
Symbolizes: emotions, creativity, sexuality, and is associated with water, flow
My interpretation: it is what is next. We feel and can interpret that after we are fed. Sexuality helps life to stay on the planet. It’s the next closest thing to survival after we are fed, clothed and have the ability to live. It’s also our ‘gut’ feeling and is at the gut level. It symbolizes the childhood part of life where we are learning and growing, coming into our own and understanding how to respond to the world.
Sanskrit name: Manipura
Known as: Solar chakra
Location: Upper abdomen, between the heart and belly button (solar plexus)
Symbolizes: Mental activities, intellect, personal power, will. It’s where self-worth, self-confidence and self-esteem are built and is at the core of our personality and identity.
My interpretation: Once we have that safety and gut feelings, we are able to use our mind and will power to go about in the world. That will power is based on our heat and desire. Heat and power like the sun. It’s the younger adult part of life up until middle age or the part of life where we shift mentally to part II – or something else. Where we are moving & shaking, taking care of the young and old. Working and using our physical identity to move through the world.
Sanskrit name: Anahata
Known as: Heart chakra
Location: Center of the chest just above the heat
Symbolizes: The ability to love, relate to others, have compassion and feel our inner selves.
My interpretation: Mentally we can move past all the intellect and listen to our heart. It’s like the highest of the 3 proverbial minds (gut, mind, heart). It can guide us the right way if the solar plexus chakra is flowing freely and we can distinguish it between the monkey mind and the inner self. It’s the connection of the physical body to the higher body. It’s a place in life that symbolizes a switch to another thought process. If you can get there it’s beautiful. Usually around middle age or when we start to get tired of the grind and ask “What For”?
Sanskrit name: Vishuddha
Known as: Throat chakra (voice)
Symbolizes: Communication, self-expression, speaking our truth, creativity
My interpretation: When the lower chakras are unblocked we find ourselves more closely in the flow of life. We are able to be creative, speak our truth, and communicate in a heart-felt way with the world and people around us. On the proverbial life line, it’s at the later part of life where we understand how we are interpreted, live from a heart level rather than a level of obtaining material wealth, possession or status.
Color: Indigo (or Purple in some places)
Sanskrit name: Ajna
Known as: Third Eye chakra
Location: Forehead, between the eye brows
Symbolizes: Inner wisdom, intuition, imagination. Ability to see the big picture inside and out.
My interpretation: In other cultures the elderly are praised for the very notion that we get wiser as we grow older. We can be taught certain things, but it’s only through really knowing and figuring out their truth for ourselves that we can become wise enough to understand the wisdom bestowed upon on from sages of the past.
Color: Purple (or White in some places)
Sanskrit name: Sahasrara
Known as: Crown chakra
Location: Top of the head
Symbolizes: Inner and outer beauty, universal connection with spirituality and consciousness. Pure bliss.
My interpretation: Sounds like heaven on earth! With everything else unblocked and no attachment to any outcome- we can experience total peace, utter bliss. It’s the closest thing in our living world to death and not having an investment so tied and rooted to the material world. It’s the top of Maslow’s pyramid where we self-actualize.
The pyramid and the image of a sitting body are both sort of triangular in shape. My interpretation is that the larger base is at the bottom because those descriptions of what these areas symbolize are the most connected to earth. They are more difficult to move through and where the majority of individuals experience life. As we move up toward the more narrow sections, there are less humans around that thrive in those parts regularly, and it gets a bit easier to move because it’s further away from the root or axiomatic apron string. We can move up and down the Chakras at any time. But if the energy system is blocked by emotion it is difficult. Even a person with little to no food if they are emotionally clear can self-actualize.
In my artistic expression of this cycle the colors live in the middle of the known and unknown worlds. The small symbols on the painting that go from left to right, bottom to top are my humble explanation of moving upward through the chakras toward the unknown, which ultimately is completely and utterly surrounded by the pure energy of beautiful, boundless, weightless, expansive and all encompassing white light.
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this and 6 other pieces were inspired by contemporary artist Sean Scully. 2 weeks ago Daren and I went to the Wadsworth in Hartford and it was the last day for his exhibit. He works in stripes mainly.